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Munich High End 2012 – Parte 2ª

By Hifilive7 de mayo de 2012Updated:26 de diciembre de 2015No hay comentarios5 Mins Read

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Continuamos con la segunda parte del reportaje de la High End 2012 de Munich celebrada la semana pasada.

Esperamos sea de vuestro agrado y contribuya a que el próximo año nos encontremos todos allí, disfrutando de esta fantástica feria internacional.

Munich High End 2012_1 — Sala Fono Acustica, con cajas German Physiks Borderland MK IV

Munich High End 2012_2 — Fono Acustica Sinfo power distributor y Armonico power cables

Munich High End 2012_3 — Kaiser Kawero y electrónica a válvulas Thrax

Munich High End 2012_4 — Förster Audiotechnik FA5.3

Munich High End 2012_5 — Raidho Acoustics con Jeff Rowland

Munich High End 2012_6 — Auditorium 23

Munich High End 2012_7 — Trasera

Munich High End 2012_9 — Transrotor Artus, Tourbillon y Rondino Nero

Munich High End 2012_10 — Transrotor Artus

Munich High End 2012_11 — Avantgarde Duo Omega Grosso

Munich High End 2012_12 — Electrónica Avantgarde XA-Series

Munich High End 2012_13 — Sonus Faber Aida y D’Agostino Momentum

Munich High End 2012_14 — Dan D’Agostino Momentum

Munich High End 2012_15 — Momentum Stereo

Munich High End 2012_16 — Cajas acústicas Kef Blade

Munich High End 2012_18 — Kef Moon

Munich High End 2012_18 — ASW Cantius Line y electrónica Accustic Arts

Munich High End 2012_19 — ASW Magadis

Munich High End 2012_20 — Sala Naim y Focal Scala Utopia

Munich High End 2012_21 — Focal Grande Utopia EM

Munich High End 2012_22 — Adam Audio Tensor MKII Series

Munich High End 2012_23 — TAD cajas acústicas y electrónica

Munich High End 2012_24 — Devialet con Wilson Audio Sophia 3

Munich High End 2012_25 — Sala Tidal

Munich High End 2012_26 — Tidal Agoria

Munich High End 2012_27 — Cajas Cessaro

Munich High End 2012_28 — Cabasse L'Ocean

Munich High End 2012_29 — Silbatone Acoustics, New Audio Legends

Munich High End 2012_30 — Silbatone P-300 monos

Munich High End 2012_31 — Silbatone Acoustics

Munich High End 2012_32 — PMC twenty, ¡gran sonido!

Munich High End 2012_33 — Reimyo KAP-777 y CAT-777 y monitores Bravo

Munich High End 2012_34 — Artesania Audio Esoteric

Munich High End 2012_35 — Soportes Artesania Audio

Munich High End 2012_36 — Cajas ADN modelo The Secret

Munich High End 2012_37 — Estructura cajas ADN

Munich High End 2012_38 — Von Schweikert Audio modelo Virtual Reality 44 Active

Munich High End 2012_39 — KR Audio Kronzilla SX

Munich High End 2012_40 — Stand Goldenote

Munich High End 2012_41 — Stand JBL, Everest y K2

Munich High End 2012_42 — Stand Revel

Munich High End 2012_43 — Stand Thiel Audio

Munich High End 2012_44 — Blumenhofer

Munich High End 2012_45 — Lipinski Sound modelo L-707A Signature

Munich High End 2012_46 — Stand Vivid Audio

Munich High End 2012_47 — Stand Ayon Audio

Munich High End 2012_48 — Orden y pulcritud en el Ayon Spheris

Munich High End 2012_49 — Cajas acústicas BMC

Munich High End 2012_50 — Stand Phonar

Munich High End 2012_51 — EAR Paravicini M100

Munich High End 2012_52 — Acoustic Signature Master Series Ascona

Munich High End 2012_53 — Isophon Berlina RC II con electrónica Trigon

Munich High End 2012_54 — Gama de cajas acústicas Isophon

Munich High End 2012_55 — Purist SL y KR Audio

Munich High End 2012_56 — KR Audio Kronzilla DM

Munich High End 2012_57 — Triangle Grand Concert 2 y Musical Fidelity

Munich High End 2012_58 — Musical Fidelity Titan

Munich High End 2012_59 — YG Acoustics Anat III, ASR y MSB

Munich High End 2012_60 — YG Acoustics Anat III

Munich High End 2012_61 — Gerald Hambitzer tocando el clavicémbalo en la sala MBL

Munich High End 2012_62 — Gerald Hambitzer

Munich High End 2012_63 — MBL 116F Noble Line

Munich High End 2012_64 — MBL Reference Line

Munich High End 2012_65 — MBL 101 X-treme

Munich High End 2012_66 — Electrónica MBL Reference Line

Munich High End 2012_67 — Focal y Soulution

Munich High End 2012_68 — Electrónica Soulution

Munich High End 2012_69 — Vandersteen model 7 y Brinkmann

Munich High End 2012_70 — Vandersteen model 7

Munich High End 2012_71 — Brinkmann RS

Munich High End 2012_72 — YG Acoustics Kipod II con electrónica Ypsilon

Munich High End 2012_73 — Ypsilon Aelius mono amps

Munich High End 2012_74 — Magníficas Lansche Audio no. 7.0

Munich High End 2012_75 — Lansche Audio no. 7.0

Munich High End 2012_76 — Amplificación Digital Do Main B-1d

Munich High End 2012_77 — Electrónica Orpheus con Marten Design y Sonus Faber

Munich High End 2012_78 — Orpheus Privilege

Munich High End 2012_79 — Amphion y Nu Force

Munich High End 2012_80 — Dynamikks Monitor 12.18

Munich High End 2012_81 — Progressive Audio Transformer 2-28 y Elise II

Munich High End 2012_82 — Constellation Audio y Tidal

Munich High End 2012_83 — Surrountec Monolog

Munich High End 2012_84 — Esoteric A-03

Munich High End 2012_85 — Aesthetix con Audio Physic

Munich High End 2012_86 — Sistema completo Phatos

Munich High End 2012_87 — Phatos Synapse

Munich High End 2012_88 — Phatos Adrenalin

Munich High End 2012_89 — EAR/Yoshino y Rockport Mira

Munich High End 2012_90 — Prototipo Nuevo EAR Dac

Munich High End 2012_91 — Stand Atoll

Munich High End 2012_92 — Nuevo Kuzma Stabi M

Munich High End 2012_93 — Dome Phase Poison II

Munich High End 2012_94 — Grimm Audio LS1

Munich High End 2012_95 — Densen Audio y Audio Physic Avantera

Munich High End 2012_96 — Amplificador Colotube y cajas Boenicke Audiomanufacture W20SE

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